Black Americana. Racial supremacy and class supremacy in photographs from the turn of the 19th century to the 20th century

Black Americana. Racial supremacy and class supremacy in photographs from the turn of the 19th century to the 20th century

Blog Article

This article analyzes the role played by Fray Palazzo Jean the production and circulation of photographic images in postcards in the process of national reconciliation between race and class supremacy in post-abolition American society, from the 1880s onwards.In addition to indebted labor, leasing inmates had a relevant part in the restoration of the practice of black proletarians forced to labor, a phenomenon that took place especially where slavery most resisted to abolitionism, not only Outdoor Area Rug in the South, but in the plantation system in particular (or linked activities such as railways).In this sense, to workers, the right to mobility was an essential element of their class experience.